Once you are happy with your adjustments, you have to click on “Apply” (in standalone version) or “Save and Re-Import” (in the plugin version) to commit your changes. When you load a new file, either the last processed adjustment settings are applied to it automatically or the default ones (as set in Preferences). As with presets everywhere, they are handy shortcuts but you may need to manipulate settings after applying a preset. Built-in presets cover all different processes and methods and handily provide a thumbnail preview of what the image will look like if applied.
Histogram and Presets panels are self-explanatory, but note that creation of new presets (or deletion of unwanted ones) happens from the Preset drop-down on the Adjustments panel rather than in Presets panel. Or you can click anywhere on a slider to adjust its value. The preview can be dynamic in respect to dragging sliders or updated once you release the slider (as set in Preferences).
(I was apparently hovering over Smooth Highlights option when I took the above screenshot.) The very neat thing is that hovering over each option gives you a definition of what it does at the bottom of the panel. Some methods have comparatively few adjustment options, which may appear to be a relative limitation. The options are specific to a selected method and will change with each change of a method. In total, there are 9 different algorithms, each of which will produce a different result from your bracketed set – very powerful! There are 4 main panels here: Preview, Presets, Histogram, and Adjustments.Īt the top of the Adjustments panel you can choose the process for HDR merge (Tone Mapping or Exposure Fusion) and the method, which defines the specific merge algorithm within a process. Lightroom plugin version assumes white balance to be set in Lightroom.Īfter the preprocessing options are set, the incoming files are merged into HDR which then opens up in the main work area screen. Instead, standalone version offers an additional option of setting the appropriate white balance, with a pop-up preview screen. Standalone version of the app does not offer any options for automatic re-importing of the processed image – you will simply save it as you would save any file in your system. “Reduce noise” and “Reduce chromatic aberrations” are self-explanatory. I strongly recommend keeping this option checked and reviewing that screen, even if you do not expect any ghosting – you may be surprised.
Easyhdr doscpimt code manual#
If “Show options to remove ghosts” is checked, there will be an intermediate subsequent screen allowing you to manage ghost removal in either automatic or manual fashion. “Align Images” section of the settings screen allows you to specify how the shots were taken. Below is the plugin version of the screen, but standalone is not much different.Īlthough for best results you should use tripod and minimize possibility of camera movement between your HDR exposures, the algorithms are so advanced nowadays, that a hand-held bracketed set can produce excellent results (shoot in “burst” mode, of course). The workflow is very similar in both cases.Ī number of preprocessing options is available when loading the bracketed files. Photomatix can work as a standalone application or as a plugin to Lightroom. It marries a relatively simple workflow with a wealth of options.
Easyhdr doscpimt code pro#
Photomatix Pro is a well-established and one of the best solutions on the market for HDR processing. When processed, that resulting HDR file effectively retains the best-exposed pixels from each of its underlying exposures. You end up with 3, or 5, or even 7 different exposures of the same scene that you can then merge into a single file with significantly higher dynamic range than that of a single exposure. Many mid-range cameras have automated bracketing functions, but you could manipulate exposure compensation controls manually if needed. You take a bracketed set of exposures, telling you camera’s sensor to shift the range between exposures. HDR processing is an effective way of overcoming this limitation. You may be able to shift the exposure in post, reduce highlight clipping, recover some detail in shadows, but the overall dynamic range will remain constrained by your sensor’s abilities.
While your focal point may be exposed correctly, the sky beyond it may come out too white or a foreground shadow may come out too dark. Nonetheless, the dynamic range that the sensor can capture in one shot is rarely able to cover everything from the darkest to the brightest bits of your composition. Especially if you shoot in RAW, which gives you an ability to manipulate the entire data from your camera’s sensor.
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These days capabilities of photo-processing software are such that any resonably exposed shot can be turned into a brilliant one in post.
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